Friday, November 1, 2013

Review: "Last Vegas"

After a spur of the moment proposal that took even him by surprise, perpetual playboy Billy (Michael Douglas) is finally getting hitched to a woman less than half his age. Aiming for a quick and simple ceremony in Vegas, he gathers his three best childhood friends for a little bachelor party fun in Sin City.

Archie (Morgan Freeman) has recently recovered from a stroke and feels suffocated by the oversight of his protective pill-doling son, while Sam (Kevin Kline, where have you been?) is withering away in retirement community hell. Both are excited at the prospect of getting away from their lives for a few days, and are each aiming for a different type of enjoyment. Paddy (Robert De Niro), on the other hand, is cocooned up in his Brooklyn apartment, with no desire to frolic like a teenager any longer. A recent widower, Paddy is still bitter over the loss of his wife and very angry at Billy for not showing up for her funeral.

Once in Vegas, they meet Diana (Mary Steenburgen, striking even at 60), a divorced empty-nester trying to make it as a lounge singer. Right away, it's clear that both Paddy and Billy are taken with her, and she could easily be just the thing Paddy needs to get back to living, or perhaps, the first woman of his own age that Billy could have a relationship with. Either way, she could be the thing to tear them apart forever. Meanwhile, Archie is busy winning enough money at blackjack to get the boys a free suite for the weekend, and Sam -- little blue pill burning a hole in his pocket -- mistakenly hits on the cross-dressing Madonna-lookalike Maurice (Roger Bart), while trying to get laid.

The rest of the movie goes pretty much the way you would expect -- lots of old age jokes turn into "old school" cool by the end as these guys work out their differences and rule the Vegas strip like men half their age. I laughed a good bit, but felt that the humor was better punctuated in the trailers than played out in the film. Performances are solid, but it's disappointing that there are no surprises here. Beat for beat, director Jon Turteltaub (National Treasure) knows what the audience expects, and for better or worse, delivers it every scene. This is harmless fun, but not the sort of material that befits the abilities of such heavy-hitters.

Monday, October 14, 2013

STF Podcast Episode 5 - Gravity, Agents of S.H.I.E.L.D, and more!

For this episode, I am again joined by Cesar Alejandro from Film Smash to discuss Alfonso Cuaron's amazing new film, Gravity, as well as Marvel's Agents of S.H.I.E.L.D (during which we speculate about a potentially major spoiler, so consider yourself warned), my feelings on 3D use in modern movies, and much more! It's been months since we recorded a podcast and you'll be able to tell that we're a bit rusty, but we fall back into our groove by the end of the episode. Check it out by clicking here or visit us on iTunes.

Sunday, September 15, 2013

The Cover Photo: Poltergeist (1982)

Insidious: Chapter 2 was released to theaters this weekend, and that got me thinking of this film again.

It's always difficult for me to pick just one image from a film when choosing a screenshot for my Facebook cover photo. In the case of Poltergeist, it was very hard not to pick Carol Ann (Heather O'Rourke) with the television set, which is easily the most iconic image of the film -- and that would have been a good one. The shot below, however, has always stuck with me. It's a kiss that might have been their last one ever, but it gives Steve (Craig T. Nelson) the courage to let his determined wife, Diane (Jo Beth Williams), enter into the great unknown to save their child. It's the scariest moment of their lives, and yet for us, it's the most reassuring moment in an amazing film.


Sunday, September 1, 2013

BLIND PICK: The Magus (1968)

People love to shop online, but for me, nothing beats rummaging through the bins at my local movie store. It's a voyage of discovery every time, and not something I'm likely to give up for the convenience of a mouse click. BLIND PICK is a new feature where I'll grab an interesting title that I've never seen, one that I didn't intend to buy until coming across it on the rack, and do a quick review.

The Magus (1968)
Released by: 20th Century Fox
Dir: Guy Green
Starring: Michael Caine, Anthony Quinn, Candice Bergen, Anna Karina

Why did I buy it? Well, between that great title ("Magus" means magician, or sorcerer), the retro cover art, and the talent involved, picking this one up was an easy decision. I didn't even bother to read the back cover before adding it to my pile.

What's the story? Nicholas Urfe (Caine) is an Englishman who skips town on a relationship that's getting too serious for a teaching position on a small Greek island. He is befriended by the charismatic Maurice (Quinn) and falls under the spell of the beautiful Lily (Bergen), a mysterious woman who resides in Maurice's home. But, who is Lily really? Is she Maurice's lover, or his prisoner? Is she a damsel in distress, or a bored temptress? Nothing is what it seems, and Maurice's mind games pull Nicholas deeper into a web of deception that may have dire consequences. He's given one last shot at returning to normal life when ex-lover Anne (Karina) visits Greece, but his curiosity and attraction to Lily is too strong, compelling him to continue in the magus' game.

Non-spoilery thoughts? Directed by Guy Green -- best known as the cinematographer on David Lean's Great Expectations and Oliver Twist -- the film bounces between romantic comedy, melodrama, and surrealism. It's wildly uneven, as are the performances of its three leads, and the camerawork and editing is often spotty. Plus, it features, perhaps, the worst music score imaginable. (Seriously, some of the music cues are laughable.) Without spoiling the secrets of the film's final act, it's difficult to reveal my complex feelings about the story. But, I'd say the last 20-30 minutes is easily the best that the film has to offer, including a surprisingly great flashback for Quinn's character, an elaborate dream sequence, and the revelation of the magus' endgame.

Final verdict? Disappointing, given the talent involved, but it's mysterious and bizarre, and has some cool ideas, making it an interesting footnote in some great careers. Watching this movie with a large midnight crowd could be fun, if Fox were to make it available for revival.